Is it possible to imagine a color one has never seen before?
We can easily imagine any color we have seen at some point in life (e.g., white, black, rainbow colors). But what would it take one to understand and "see" a new color?
P.S.: There are more colors than we see, aren't there?
There are possibly two different questions here. Do you mean to ask if we can 'imagine' a new color, meaning something like sitting down and closing our eyes and thinking really hard until a color we haven't seen before pops up? Or do you mean to ask if there are colors outside of our range of vision or if there are colors within that range that nobody has ever seen before? The title question seems to be the first but the body question (second sentence) seems to be the second.
What about if you gained the ability to see a new color, then saw that new color somewhere, then lost the ability to see that color. Could you still imagine what it looked like?
I have an inkling that considering synesthesia might help confuse things -- it seems plausible that when something "sounds green" it is a type of green not seen normally. Another case where I have direct experience is in music audiation -- there can be a disconnect between what you hear in your head and what you can actually create as sound.
On LSD, one can see things, for example writing, in a color that one cannot name and that cannot be reproduced. It is common enough that people actually make reference to 'the non-color'. I would theorize that when we 'visualize' shapes, but don't bother to give them a color, they are this 'color'. I don't know whether this is an answer.
The answer is controversial. Hume, 18th century British philosopher, famously argued that such a possibility is conceivable, that if we are presented with a spectrum of color where some intermediate shade is missing we will be able to imagine the missing shade, even if we never saw it before. Here is Hume's missing shade of blue thought experiment:
"Suppose, therefore, a person to have enjoyed his sight for thirty years, and to have become perfectly acquainted with colours of all kinds, except one particular shade of blue, for instance, which it never has been his fortune to meet with. Let all the different shades of that colour, except that single one, be placed before him, descending gradually from the deepest to the lightest; it is plain, that he will perceive a blank, where that shade is wanting, and will be sensible, that there is a greater distance in that place between the contiguous colours than in any other. Now I ask, whether it be possible for him, from his own imagination, to supply this deficiency, and raise up to himself the idea of that particular shade, though it had never been conveyed to him by his senses? I believe there are few but will be of opinion that he can."
Curiously, this observation goes counter to Hume's own empiricist doctrine that all our ideas come from sense impressions, and are not created by imagination, other than by combining them. But "it is hardly worth altering a general thesis for one exception, which is very much the line Hume himself adopts", according to Jenkins. In the 20-th century Jackson suggested another famous thought experiment about the matter, Mary the color scientist, but came to the opposite conclusion, although admittedly the Jackson's setup is far more unfavorable to Mary than Hume's.:
"Mary is a brilliant scientist who is, for whatever reason, forced to investigate the world from a black and white room via a black and white television monitor. She specializes in the neurophysiology of vision and acquires, let us suppose, all the physical information there is to obtain about what goes on when we see ripe tomatoes, or the sky, and use terms like 'red', 'blue', and so on. She discovers, for example, just which wavelength combinations from the sky stimulate the retina, and exactly how this produces via the central nervous system the contraction of the vocal cords and expulsion of air from the lungs that results in the uttering of the sentence 'The sky is blue'. [...] What will happen when Mary is released from her black and white room or is given a color television monitor? Will she learn anything or not?"
Jackson's answer is that she will learn, Mary could not have "imagined" colors on her own no matter how much she knows about them. The difficulty with deciding who is right is that it is unclear how exactly we can determine, in actual experiment, what exactly was "imagined", and compare it to what was intended. This is at the heart of the current philosophical debate about the so-called qualia, private "feels" or experiences. It is also unclear if we can trust subject's opinion on whether the "imagined" missing shade was the same as the "right" shade presented to her afterwards. Wittgenstein had serious doubts that the talk of private sensations is even meaningful, let alone trustworthy, see How does Wittgenstein's argument against recognizing private sensations work? and What is the role of sensations in Wittgenstein's private language argument?
See a discussion of both thought experiments in Johnson's How I Got the Blue. For a modern scientific look at color perceptions see Bimler's Psychological Color Space and Color Terms.
Yes, you can imagine new "colors", and there are physically meaningful complex colors that humans don't really see.
We see with our eyes, and those signals go back to our brains. We ascribe "color" to things that we see as colors are common patterns worth noting and exploiting, e.g. for communication.
Since this question is about imagining a new color, sure, you can imagine a description that doesn't correspond to anything else that you've seen. In the absence of correspondence to physical reality, this would seem to be a pointless exercise, but there's no reason why you can't imagine it.
Additionally, there're physically meaningful "colors" that we actually observe in science labs. However, you can't really "see" these colors directly as the human brain's visual processing center isn't wired to process them.
Colors with more dimensions
Another answer had mentioned the prospect of tetrachromacy which is sorta how animals with more sensory inputs can see things; they'd have a wider color space. However, this strikes me as a limited perspective because that seems to suggest that there's something special about seeing color in just 4 dimensions.
You can perform a Fourier transform on a source of light waves to get infinitely many dimensions of color as opposed to just the 3 in human vision or the 4 in tetrachromacy. We've even built machines that do exactly this, i.e. Fourier transform spectrometers.
It's somewhat difficult for a human mind to appreciate such complex "colors" in the same sense that we perceive normal colors though. For example, here's a very high dimensional color for a blue flame. Assuming that this plot uses 1 data point per /nm on the x-axis from 300/nm to 700/nm, then that's a 401-dimensional color.
Even if you were to see the blue flame yourself, it'd look blue to your eyes, as your eyes don't have the spectrometer's mechanisms for seeing more. However, you can see the color through the spectrometer's eyes by observing the spectrum showed in the link. If you want to imagine it in your own eyes, it'll look like a blue flame, since that's what it is; but if you want to rewrite how your mind works, you might try to appreciate that it's a far more complex color than just "blue".
Science note: The reason that we have such spectrometers is because more detailed colors can tell more about what you're looking at. In many labs, spectroscopy is the go-to method for identifying chemical compounds and other physical samples.
Not much art
When people talk about imagining new colors, I suspect that they're generally looking for something aesthetically pleasing. The problem here is that beauty is in the eye of the beholder; you can imagine a Fourier-transform-like visual apparatus, which would see in vastly more colors than humans normally do, but since imagining such complex colors would require a lot of work and rewiring one's own brain, it's doubtful that an observer would find aesthetic joy in it.
Aesthetics seem to work best when an observer can relate to what they see on some level. Unheard of colors, such as high-dimensional colors from spectrometers, probably won't match up to this for most folks.
Some people can't perceive colors like normal, i.e. they're color-blind. At least in some cases, this results from the eyes lacking the physical hardware to pick up on some of the color signals.
Looking through Google, it appears that some folks are claiming that they're getting close to a cure for some sorts of color blindness, presumably by fixing the eyes. Once a life-long color-blind person has their eyes fixed, will their brains be able to fully process and appreciate the color distinctions as though their eyes had picked up on the signals all along, or will their brains have pruned the unused informational channels?
I don't think you can just state that we can imagine unseen colours. Many people would disagree, as the the popularity of Mary the Colour Scientist as a thought-experiment would indicate. You may be right, but you may be wrong. .
@PeterJ It seems strange to me that people would think that there's anything fundamental about a set of colors, or that the human mind would be hard-wired to process colors in a particular way. I'm not even sure how anyone could see this as a matter of opinion as the nature of color is well-described as scientific fact.
I'm not sure I understand your point here. I was merely saying that you don't know whether we can imagine a colour we have not yet seen. Most philosophers seem to assume we cannot.
@PeterJ We can imagine colors we haven't seen; such imaginings are just thoughts, and we're able to construct whatever thoughts we like. If anything, the only problem with imagined colors is that they're boring. If your favorite color has emotional value to you, it's because you acquired a taste for it; by contrast, newly imagined colors have no associations yet, so you have no reason to feel anything about them. And since you don't need to remember them, they're essentially mental garbage to be pruned from your neurons.
@ Nat I'm sorry but your comment entirely lacks rigour,. You cannot just state that everybody who disagrees with you is wrong. I've tried this approach and it doesn't work. It especially doesn't work on internet forums.
@PeterJ I'm not just saying that everyone's wrong; my answer above gives concrete models for extended colors, e.g. tetrachromacy and Fourier transforms; it's a simple demonstration. I'm not sure where you're coming from.
@PeterJ Actually, maybe it'd be easier if I just asked why you don't like the demonstrations. For example, some mammals can see tetrachromatic colors; our eyes just aren't equipped to, but we can still describe and imagine them. Obviously, you won't recognize it - but that's just because you haven't seen it before. But it's still a color, and you're still imagining it. Anyway, does that demonstration seem flawed to you? If so, could you explain where you're coming from?
How would you know that you are imaging the colour correctly? There would be no way for you to know. If there was any evidence that we can imagine unknown colours then all philosophers would agree on this issue. In fact most assume the opposite. I'm not saying you're wrong about colours but wrong about what can be proved, thus wrong to be dogmatic. .
@PeterJ What do you mean imagining a "colour correctly"? Could you give an example of what it would mean to, say, imagine "yellow" incorrectly? And even if you do consider there to be a "correct" way of imagining a color, and you somehow mistakenly imagine another color that you haven't seen, haven't you still imagined a color that you haven't seen?
How would you know you haven't seen it? I feel we are in danger of disappearing into a muddle of words. I'm simply asking for rigour, the recognition that you're stating more than than you know in opposition to many very good philosophers. .
@PeterJ How you "see" a color depends on your hardware. For example, your eyes send back signals to your brain in response to seeing the colors it can recognize; however, the form of that response is arbitrary. For example, if your neurons fire for the 3 primary colors in one way, but another person's eyes fire the same way but switch the colors, they'd get different signals for the same colors. Would either of you be "wrong"?
Is this relevant? I don't see how. I feel we should stop here or move to 'chat'.
@PeterJ Eh, I think that I get where you were coming from - you keep talking about what other philosophers believe and object to disagreement, rather than want to discuss the mechanics of color perception. As such I think that we're just interested in different aspects of the question. That's probably enough.
Yes, you're pushing a view while I'm fighting for rigour regardless of your view or mine. Agree about halting here. We'll meet again...
It seems trivial to imagine something that is almost like blue, but different. Some can even imagine a super-intelligent shade of the colour blue. It does, however, bring up the challenge of defining what a "color" is. Pick the wrong definition, and you find it mathematically impossible for there to be any colors besides the ones we can see.
A curious case, however, arises with red-green or blue-yellow. Can you imagine a red-ish green or a blue-ish yellow? They're hard colors to comprehend. In fact, they're called Impossible Colors in the cognitive science world. It is currently believed that our concept of color is built from "opponent processes." Red and green are opponents, so you can only observe one or the other. Same for blue and yellow. This is why alternating lines of them clash so heavily.
If you can imagine a reddish green or a bluish yellow, you can imagine an impossible color, which in theory you have never seen.
There is some evidence to suggest that it is possible to observe one of these "impossible colors" by having one eye view one color and one eye view the other. It's debatable whether this color actually existed, because it depends entirely on the fusion between the two eyes, and yet some people do insist it exists.
Under normal circumstances, there is no hue that one could describe as a mixture of opponent hues; that is, as a hue looking "redgreen" or "yellowblue".
In 1983, Hewitt D. Crane and Thomas P. Piantanida performed tests using an eye-tracker device that had a field of a vertical red stripe adjacent to a vertical green stripe, or several narrow alternating red and green stripes (or in some cases, yellow and blue instead). The device could track involuntary movements of one eye (there was a patch over the other eye) and adjust mirrors so the image would follow the eye and the boundaries of the stripes were always on the same places on the eye's retina; the field outside the stripes was blanked with occluders. Under such conditions, the edges between the stripes seemed to disappear (perhaps due to edge-detecting neurons becoming fatigued) and the colors flowed into each other in the brain's visual cortex, overriding the opponency mechanisms and producing not the color expected from mixing paints or from mixing lights on a screen, but new colors entirely, which are not in the CIE 1931 color space, either in its real part or in its imaginary parts. For red-and-green, some saw an even field of the new color; some saw a regular pattern of just-visible green dots and red dots; some saw islands of one color on a background of the other color. Some of the volunteers for the experiment reported that afterwards, they could still imagine the new colors for a period of time.2
Some observers indicated that although they were aware that what they were viewing was a color (that is, the field was not achromatic), they were unable to name or describe the color. One of these observers was an artist with a large color vocabulary. Other observers of the novel hues described the first stimulus as a reddish-green.
Curious what such a color might feel like? Some people claim that if they cross their eyes such that the crosses in the picture below overlap, they see yellow-blue, an impossible color. Of course, to go much further would start to explore the question of whether color is a "real" thing or an "illusion." Perhaps all colors are, indeed, imaginary. I make such a statement, of course, to tie the answer back to philosophy, but you have to admit that the cognative science side of the answer is rather fascinating!
@ConnerN.Howell Some people can see it, some cannot. It all depends on how your brain is wired for visual processing. Everyone is different. I, myself, just see a vibrating back-and-forth between blue and yellow rather than a novel color.
Color space is broad and deep, and the visual system can really only distinguish a little fragment of it.
One thing to contemplate here is that we know that the standard-issue human visual system is definitely limited in critical ways. And we don't even have to speculate to see this: tetrachromacy is "the condition of possessing four independent channels for conveying color information".
Tetrachromats are able to differentiate colors that appear identical to those without the condition. But they may also be sensitive to wavelengths outside the typical perceptual 'bands'. However, I'm not sure we really know what it would be like for your visual system to "suddenly" start receiving this additional information.
At any rate, tetrachromacy points to the fact that color is deep. It seems to me to demonstrate that color space certainly isn't exhausted by the handful of cone and rod types that modern humans happen to have evolved.
Note that there's nothing special about three or four channels -- rather than any other number of channels -- for conveying color data. My suggestion is more along the lines that color is a richer quality than any finite set of input channels could convey.
"There are more colors than we can see aren't there?" Yes. It is relative to being human to be able possess the functions of being able to imagine feelings, spaces, objects, and textures, we have never experienced. There is always the experiential historic senses of color to use as the basis for the unknown color, but if you described gold as a bright shiny yellow, it would still not be gold. Whether or not an imagined color is accurate would depend on the language used to describe it. I will use short exercise I created in 2014 to describe how language creates realities we can only get to through imagination.